Decolonisation in museums is an urgent and evolving discourse that challenges dominant historical narratives, interrogates Western authority over cultural artefacts, and seeks to restore voice and visibility to marginalised communities. In Britain, museums continue to hold vast collections acquired through imperial extraction. Their displays often obscure these colonial origins, reframing artefacts as universal heritage under a Eurocentric gaze. As Abungu (2019) notes, decolonisation requires structural change, rethinking display, interpretation, and who is authorised to tell these stories. Ahamed-Barke (2024) sharpens this provocation by claiming that “to decolonise is to decontextualise”.